A Journey of Invisible Fashion
無 形 時 尚 之 旅
時尚猶如一場魔法般的蛻變，融會貫通儀式感與形象重塑；在這段旅程中，我們探索美與永續的平衡。
當內在需求與外在表象達到共鳴時，我們將體驗真正的自信與自在。
V.galleria 以不再需要的衣裳為出發點，誠摯邀請每一位參與者共同創作，並反思日常生活中時尚與美的本質。
本展覽從國王的新衣中的裁縫師視角出發，重新詮釋經典童話中的形象與故事，從國王的新衣，紅鞋女孩，白雪公主，小王子，青蛙王子，小美人魚等經典故事，透過五感的體驗，帶領觀眾從看不見，到重新看見。
當我們凝視鏡中的影像，重新發現那些隱形卻真實純在的形像，一同開始編織美與永續的樂章，並啟程探索與創造未來多元時尚生活藍圖。
Fashion is like a magical transformation, seamlessly blending ritual and image reinvention; through this journey, we explore the balance between beauty and sustainability. When our inner needs resonate with our outward appearance, we experience true confidence and ease.
V.galleria begins with the concept of garments no longer needed and sincerely invites each participant to co-create while reflecting on the essence of fashion and beauty in everyday life.This exhibition starts from the perspective of the tailor inThe Emperor's New Clothes, reinterpreting the images and stories from classic fairy tales. Through stories likeThe Emperor's New Clothes,The Red Shoes,Snow White,The Little Prince,The Frog Prince, andThe Little Mermaid, the exhibition leads viewers through a sensory experience that guides them from the unseen to the rediscovered.
As we gaze into the mirror and rediscover the invisible yet truly existing images, we begin to weave a symphony of beauty and sustainability, setting off to explore and create a blueprint for a diverse future in fashion and life.
第一章｜無形的開始
時尚是文化、身份與慾望的無形語言，穿越時空，默默塑造著我們的世界。
Fashion is theunseen language of culture, identity, and desire, timelessly shaping our world.
本章節以無形的方式開場，從不著衣的視角介紹旅法藝術家林麗玲的「裸體故事系列」，藉由古典油畫的筆觸展現自信的姿態。
華裔視覺藝術家團隊duturu則呈現人體與觀眾之間無形的交織與互動。觀眾的動態移動與舞蹈姿勢，讓畫框中的影像隨著每一個變化而轉動，從而創造出一件充滿活力、持續變化的動態藝術作品。
其他展品則透過捐贈者的衣裳與布料，逐步展現出多樣化的創作面貌，揭示身體與衣物之間深刻的聯繫與故事。
Chapter I "The Quiet Beginning"
This chapter opens in an intangible manner, introducing the "Nude Story Series" by French-based artist Lin Liling from the perspective of undress, showcasing confident postures through classical oil painting techniques.
The Chinese visual artist collective duturu, on the other hand, presents the invisible intertwining and interaction between the human body and the audience. The dynamic movement and dance postures of the viewers cause the images within the frame to shift with every change, creating a vibrant, ever-evolving dynamic art piece. Other exhibits gradually reveal diverse creative expressions through garments and fabrics donated by individuals, uncovering the profound connection and stories between the body and clothing.
華裔視覺藝術家團隊 duturu
華裔視覺藝術家團隊duturu，呈現人體與觀眾之間無形的交織與互動。觀眾的動態移動與舞蹈姿勢，讓畫框中的影像隨著每一個變化而轉動，從而創造出一件充滿活力、持續變化的動態藝術作品。
The Chinese visual artist collective duturu, on the other hand, presents the invisible intertwining and interaction between the human body and the audience. The dynamic movement and dance postures of the viewers cause the images within the frame to shift with every change, creating a vibrant, ever-evolving dynamic art piece.
第二章｜ 欺瞞與真相
構成不了誘惑的時尚，稱不算成功。
Fashion that doesn’t captivate lacks success.
謊言的代價究竟是什麼？並非我們將謊言誤認為真相，真正的危險在於，如果我們聽過足夠多的謊言，最終會無法分辨出真相。到那時，我們該如何是好？
唯一的選擇是放棄對真相的追尋，轉而以編造的故事來安慰自己。
我們所認知的純潔白，實則由化學螢光劑所調製而成。而世上最神聖的白，是來自光的純粹。那些不再需要的白色衣裳，成為空間中默然的背景。
藉由教育、產業與設計領域的觀眾，我們一同探討循環時尚的實踐之道。同時誠邀The Fig Tree芳香師廖士萱，帶來無形的嗅覺時尚，細膩辨識化學與自然香氣之間的微妙差異。陽光，空氣，水最重要的三元素！
Chapter II "The Mask and Truth"
What is the cost of a lie? It is not that we mistake lies for truth; the real danger lies in the fact that if we hear enough lies, we will eventually be unable to distinguish the truth. What can we do then?
The only choice is to abandon the pursuit of truth and instead comfort ourselves with fabricated stories.
The "pure white" we know is actually made from chemical fluorescent agents. And the most sacred white in the world comes from the purity of light. Those white garments no longer needed become silent backgrounds in the space. Through the lens of education, industry, and design, we explore the practice of sustainable fashion. At the same time,
we are honored to invite The Fig Tree's perfumer Jenny Liao to present the invisible fashion of scent, delicately distinguishing the subtle differences between chemical and natural fragrances. Light, Air, Water, the elements of living.
第三章｜童話與真實
我們放棄了似無重量的自由，換來浪漫生活施加給靈魂的束縛。
We have given up weightless freedom in exchange for the romantic life that binds the soul.
重建時尚語言
翻轉浪漫蕾絲
黛安娜王妃身披 八米長的古董蕾絲婚紗步入大教堂，將蕾絲與「浪漫」畫上等號。然而，一如她柔順外表下的叛逆靈魂，蕾絲是否也能跳脫柔美框架？
本展邀請 張可宸 以 棒槌蕾絲 工藝，探索蕾絲的深層力量——
它源於鄉村婦女的堅韌，亦承載君王的無畏。在絲線與孔隙交錯間，蕾絲不只是裝飾，而是可甜美、亦能強韌的女性象徵。
Chapter III “Fairy Tales and Reality”
Fairy Tales and Reality: Rebuilding the Language of Fashion Lace Beyond Romance
In 1981, Princess Diana’s ethereal lace gown transformed her into a living fairy tale, forever binding lace to romance.
Yet, like Diana’s quiet rebellion, lace holds untold depths.
This exhibition, led by Taiwanese artisan Isis Chen, explores Bobbin Lace beyond its delicate façade—woven by resilient rural women, framing monarchs like Elizabeth I. In the interplay of threads and voids, lace is not just beauty butpower, ready to be redefined.
蕾絲與權勢
Lace & Power｜Elegance as Authority 蕾絲與權力｜優雅的權威象徵 十六世紀，蕾絲在歐洲貴族之間掀起一場華麗的風潮。纖細如霧的絲線交織出複雜的圖騰，伴隨觥籌交錯的宴飲，隨處可見的蕾絲閃爍於 衣裙之間。尤其由伊莉莎白一世著名的拉夫領（Ruff），其誇張華麗的層疊造型，不僅象徵著財富與地位，更彰顯穿戴者的尊貴氣度與權力象徵。
Fairy Tales and Reality
Sacred Threads: The Sanctity of Lace 神聖之線｜蕾絲的聖潔意涵
第四章｜解構與重構
在微光中創造，在裂縫中重構。
每一片破碎的玻璃，都是我們親手串起的未來。
當觀看轉化為創造，時尚不再只是潮流，而是一種選擇＿一種溫柔而堅定的修復行動。
Deconstruction & Reconstruction
In the dim light, we create，In the cracks, we rebuild.
Every shattered piece of glass is a future we string together with our hands.
When seeing becomes creating, fashion is no longer just a trend, but a choice—a gentle yet resolute act of repair.
在高溫中熔化、吹製，拉絲玻璃擁有比表面更深刻的脆弱與力量。
本展覽邀請玻璃藝術家以四個系列作品譜寫一首關於形體、重構與重生的詩篇＿從海洋的眼淚中隱含的環境哀歌、到脆弱的連結牽動的個人情感
記憶從玻璃的解構與重構，對容器本質的再詰問、到破碎的重生所述說的裂痕與轉化，一場關於破碎與重生的旅程，也是一封寫給玻璃的詩。
Melted by fire, blown, and drawn into threads—Glass holds a fragility and strength far deeper than its surface reveals.
This exhibition invites a glass artist to compose a poetic reflection on form, reconstruction, and rebirth through four distinct series.
From the tears of the ocean, echoing a quiet elegy for the environment, to the fragile connections that stir personal emotions and memories; from the deconstruction and reconfiguration of glass,
re-questioning the very nature of containment, to the rebirth born from fracture, revealing the transformation hidden within every crack.
It is a journey of fragility and regeneration: a letter written in glass.
廢棄玻璃的當代表述，回應循環美學與創作精神
當「永續」不再只是流行口號，而成為全球時尚與設計產業面對未來的根本命題，
一場以回收玻璃再創作為核心的當代展覽，聚焦材質再造、工藝轉譯與美學重構。
玻璃——來自大地深處的語言，自矽砂高溫煉成，千年來見證人類從工具到審美的文明進程。
本展透過「解構」與「重構」的策展視角，將玻璃與時尚語彙巧妙對話，開啟關於材質生命、文化再生與美的重思。
藝術家以廢棄或破損的玻璃器皿為起點，透過熔融、切割、打磨、拋光等工序，使每件作品重獲新生。
這不僅是技藝的展現，更是一種回應時代的藝術行動——正如高級訂製服中使用回收布料重構時尚語言，玻璃創作亦在光影中顯露其姿態與情感。
展品如服裝般擁有明確線條與肌理，承載個性、記憶與反思，重新定義「廢棄」的意義與「美」的形式。
《解構與重構》不僅展現玻璃材質如何透過設計實踐走向當代表述，更是一次深刻反思：
當創作不再依賴「全新」材料，而是從已被捨棄之物中尋找可能，我們是否能重新理解創造的定義？
展覽讓每一件作品成為時間與創意交織的痕跡，邀請觀者穿越玻璃的裂痕，看見記憶與情感的重構，重思「被丟棄」與「被保留」之間的界線。
這是一場物質與意識的共振，也是一種由工藝帶動的社會想像。
